<?xml version="1.0" encoding="utf-8"?> <?xml-stylesheet type="text/xsl" href="/rss20.xsl" media="screen"?> <rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"> <channel> <title>Urge to Fly - poetry</title> <description>Urge to Fly</description> <link>http://urgetofly.blogspirit.com/poetry/</link> <lastBuildDate>Sat,  6 Sep 2008 04:46:54 +0530</lastBuildDate> <generator>blogSpirit.com</generator> <copyright>All Rights Reserved</copyright>  <item> <guid isPermaLink="true">http://urgetofly.blogspirit.com/archive/2008/06/01/how-thomas-hardy-introduced-me-to-allama-iqbal.html</guid> <title>How Thomas Hardy Introduced Me to Allama Iqbal</title> <link>http://urgetofly.blogspirit.com/archive/2008/06/01/how-thomas-hardy-introduced-me-to-allama-iqbal.html</link> <author>noreply@blogspirit.com (Khwaahish-e-Parwaaz)</author>   <category>Film</category>  <category>Music</category>  <category>Poetry</category>   <pubDate>Sun,  1 Jun 2008 16:20:00 +0530</pubDate> <description> I have a few obsessions in life: old Hindi film music (specifically Lata Mangeshkar songs) and Urdu poetry. My initiation into the wondrous world of old Hindi film music was through a Lata Mangeshkar compilation called &lt;em&gt;I Remember Madan Mohan&lt;/em&gt;, so Madan Mohan is also special. Although I wouldn't call it an obsession, I'm very fond of reading classic literature as well. &lt;br /&gt;
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It isn't very often that all of one's obsessions converge in the same thing. At the time when I had just started dabbling with Urdu poetry, I watched a 1967 Dharmendra-Nutan starrer &lt;em&gt;Dulhan Ek Raat Ki &lt;/em&gt;on video. My primary reason for watching that film was that it was based on Thomas Hardy's &lt;em&gt;Tess of the D'Urbervilles&lt;/em&gt;. While Indian literature had been a source for Hindi films in the 50s and 60s, there hadn't been very many instances of Hindi film taking inspiration from an English classic. &lt;br /&gt;
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The film was expectedly quite Indianized, but retained the primary thematic thread of the original. But it isn't great cinema. What stayed with me was the soundtrack that had some melodious compositions by Madan Mohan, which included the lovely Mohd. Rafi solo &lt;em&gt;&lt;a href=&quot;http://www.youtube.com/watch?v=ZkvNKXEcrKc&quot; target=&quot;_blank&quot;&gt;Ek Haseen Shaam Ko &lt;/a&gt;&lt;/em&gt;and exquisite Lata Mangeshkar solos like the &lt;em&gt;Piloo &lt;/em&gt;based &lt;a href=&quot;http://www.youtube.com/watch?v=WwtjMfOCJBY&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Maine Rang Li Aaj Chunariya&lt;/em&gt;&lt;/a&gt;, the quintessential piano song &lt;a href=&quot;http://www.youtube.com/watch?v=r0TNSZtbjEA&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Kai Din Se Jee Hai Bekal&lt;/em&gt;&lt;/a&gt;, and the melodious &lt;a href=&quot;http://www.youtube.com/watch?v=MmU7bM6kUY0&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Sapnon Mein Agar Mere&lt;/em&gt;&lt;/a&gt;. But the song that I got completely obsessed with was the &lt;em&gt;qawwali &lt;/em&gt;&lt;strong&gt;&lt;em&gt;Kabhi Aye Haqeeqat-e-Muntazir&lt;/em&gt;&lt;/strong&gt;. The heavily Persianized Urdu of the lyrics were very&amp;#8230; </description>  </item>  </channel> </rss> 